English (Minor)
The English Department offers a minor in English to majors in any field except English. The minor program will allow students to pursue general interests in writing, literature, and language.
Admissions and Certification of Minor
Students can apply for admission to any university minor program in MyPack Portal. Admission will be based on the student’s academic record, and in most cases no longer requires departmental review. The minor must be completed no later than the semester in which the student expects to graduate from their degree program. Students can monitor their progress toward completing the minor by viewing their Minor Degree Audit online, anytime, in MyPack Portal.Â
Questions regarding unmet course requirements on your Minor Degree Audit (indicated by a red ‘X’) should be directed to the Minor Coordinator.
Contact Person
For more information, including program contact information, visit the .
SIS code: 16ENGLM
Plan Requirements
- Complete 15 hours of course work at or above the 200 level.
- No more than 2 courses (6 credit hours) of transfer credit will be accepted.
- Must have an overall GPA of 2.0 in the minor and may count no course grade lower than a ‘C-‘.
- A maximum of TWO (2) courses may double-count between major departmental requirements and courses counting toward the minor.
- A maximum of TWO (2) courses may double-count between courses counting toward this minor and additional minors.
| Code | Title | Hours |
|---|---|---|
| Elective Lists | ||
| Select two courses at the 200 level or above | 6 | |
| Select two courses at the 300 level or above | 6 | |
| Select one course at the 400 level or above | 3 | |
| Total Hours | 15 | |
400 Level Courses (or above)
| Code | Title | Hours |
|---|---|---|
| ´¡¹ó³§Ìý448 | African-American Literature | 3 |
| ´¡¹ó³§Ìý548 | African-American Literature | 3 |
| °ä°¿²ÑÌý411 | Rhetorical Criticism | 3 |
| °ä°¿²ÑÌý506 | Verbal Data Analysis | 3 |
| °ä°¿²ÑÌý514 | History Of Rhetoric | 3 |
| °ä°¿²ÑÌý516 | Rhetorical Criticism: Theory and Practice | 3 |
| °ä°¿²ÑÌý554 | Contemporary Rhetorical Theory | 3 |
| °ä°¿²ÑÌý581 | Visual Rhetoric: Theory and Criticism | 3 |
| ·¡°ä±õÌý405 | Teaching Literature for Adolescents | 3 |
| ·¡±·³ÒÌý400 | Applied Criticism | 3 |
| ·¡±·³ÒÌý402 | Literature for Adolescents | 3 |
| ·¡±·³ÒÌý405 | Teaching Literature for Adolescents | 3 |
| ·¡±·³ÒÌý406 | Modernism | 3 |
| ·¡±·³ÒÌý407 | Postmodernism | 3 |
| ·¡±·³ÒÌý410 | Studies in Gender and Genre | 3 |
| ·¡±·³ÒÌý411 | Rhetorical Criticism | 3 |
| ·¡±·³ÒÌý416 | Advanced News and Article Writing | 3 |
| ·¡±·³ÒÌý417 | Editorial and Opinion Writing | 3 |
| ·¡±·³ÒÌý420 | Major American Authors | 3 |
| ·¡±·³ÒÌý421 | Computer Documentation Design | 3 |
| ·¡±·³ÒÌý422 | Writing Theory and the Writing Process | 3 |
| ·¡±·³ÒÌý425 | Analysis of Scientific and Technical Writing | 3 |
| ·¡±·³ÒÌý426 | Analyzing Style | 3 |
| ·¡±·³ÒÌý430 | Advanced Screenwriting | 3 |
| ·¡±·³ÒÌý438 | Responsible Artificial Intelligence and Society | 3 |
| ·¡±·³ÒÌý439 | Studies in English Renaissance Literature | 3 |
| ·¡±·³ÒÌý448 | African-American Literature | 3 |
| ·¡±·³ÒÌý451 | Chaucer | 3 |
| ·¡±·³ÒÌý452 | Medieval British Literature | 3 |
| ·¡±·³ÒÌý453 | Studies in Nineteenth-Century British Literature | 3 |
| ·¡±·³ÒÌý455 | Literacy in the U.S. | 3 |
| ·¡±·³ÒÌý460 | Major British Author | 3 |
| ·¡±·³ÒÌý462 | 18th-Century English Literature | 3 |
| ·¡±·³ÒÌý463 | The Victorian Period | 3 |
| ·¡±·³ÒÌý464 | British Literature and the Founding of Empire | 3 |
| ·¡±·³ÒÌý465 | British Literature and the Dissolution of Empire | 3 |
| ·¡±·³ÒÌý466 | Transatlantic Literatures | 3 |
| ·¡±·³ÒÌý467 | American Colonial Literature | 3 |
| ·¡±·³ÒÌý468 | Studies in Nineteenth-Century American Literature | 3 |
| ·¡±·³ÒÌý470 | American Literature, Twentieth Century and Beyond | 3 |
| ·¡±·³ÒÌý476 | Southern Literature | 3 |
| ·¡±·³ÒÌý480 | Modern Drama | 3 |
| ·¡±·³ÒÌý481 | History of the Book | 3 |
| ·¡±·³ÒÌý482 | Reading in the Digital Age | 3 |
| ·¡±·³ÒÌý483 | Literature and Media | 3 |
| ·¡±·³ÒÌý485 | Shakespeare: Revisions and Resources | 3 |
| ·¡±·³ÒÌý486 | Shakespeare, The Earlier Plays | 3 |
| ·¡±·³ÒÌý487 | Shakespeare, The Later Plays | 3 |
| ·¡±·³ÒÌý488 | Advanced Fiction Writing Workshop | 3 |
| ·¡±·³ÒÌý489 | Advanced Poetry Writing Workshop | 3 |
| ·¡±·³ÒÌý490 | Studies in Medieval Literature | 3 |
| ·¡±·³ÒÌý491 | Honors in English | 3 |
| ·¡±·³ÒÌý492 | Special Topics in Film and Media Studies | 3 |
| ·¡±·³ÒÌý494 | Special Topics in Linguistics | 3 |
| ·¡±·³ÒÌý495 | Studies in Literature | 3 |
| ·¡±·³ÒÌý496 | Seminar in Literary Criticism | 3 |
| ·¡±·³ÒÌý498 | Special Topics in English | 1-6 |
| ·¡±·³ÒÌý499 | Special Topics in Creative Writing | 3 |
| ·¡±·³ÒÌý505 | Writing Program Administration: Theory, Practice, and Research | 3 |
| ·¡±·³ÒÌý506 | Verbal Data Analysis | 3 |
| ·¡±·³ÒÌý507 | Writing for Health and Environmental Sciences | 3 |
| ·¡±·³ÒÌý508 | Usability Studies for Technical Communication | 3 |
| ·¡±·³ÒÌý509 | Old English Literature | 3 |
| ·¡±·³ÒÌý510 | Middle English Literature | 3 |
| ·¡±·³ÒÌý511 | Theory and Research In Composition | 3 |
| ·¡±·³ÒÌý512 | Theory and Research In Professional Writing | 3 |
| ·¡±·³ÒÌý513 | Empirical Research In Composition | 3 |
| ·¡±·³ÒÌý514 | History Of Rhetoric | 3 |
| ·¡±·³ÒÌý515 | Rhetoric Of Science and Technology | 3 |
| ·¡±·³ÒÌý516 | Rhetorical Criticism: Theory and Practice | 3 |
| ·¡±·³ÒÌý517 | Advanced Technical Writing, Editing and Document Design | 3 |
| ·¡±·³ÒÌý518 | Publication Management for Technical Communicators | 3 |
| ·¡±·³ÒÌý519 | Online Information Design and Evaluation | 3 |
| ·¡±·³ÒÌý520 | Science Writing for the Media | 3 |
| ·¡±·³ÒÌý522 | Writing in Nonacademic Settings | 3 |
| ·¡±·³ÒÌý523 | Language Variation Research Seminar | 3 |
| ·¡±·³ÒÌý524 | Introduction to Linguistics | 3 |
| ·¡±·³ÒÌý525 | Variety In Language | 3 |
| ·¡±·³ÒÌý527 | Discourse Analysis | 3 |
| ·¡±·³ÒÌý528 | Sociophonetics | 3 |
| ·¡±·³ÒÌý529 | 16th-Century Non-Dramatic English Literature | 3 |
| ·¡±·³ÒÌý530 | 17th-Century English Literature | 3 |
| ·¡±·³ÒÌý531 | American Colonial Literature | 3 |
| ·¡±·³ÒÌý532 | Narrative Analysis | 3 |
| ·¡±·³ÒÌý533 | Bilingualism and Language Contact | 3 |
| ·¡±·³ÒÌý534 | Quantitative Analysis in Sociolinguistics | 3 |
| ·¡±·³ÒÌý536 | Research Methods in Phonology | 3 |
| ·¡±·³ÒÌý539 | Seminar In World Literature | 3 |
| ·¡±·³ÒÌý540 | History Of Literary Criticism | 3 |
| ·¡±·³ÒÌý541 | Literary and Cultural Theory | 3 |
| ·¡±·³ÒÌý543 | Introduction to Digital Humanities | 3 |
| ·¡±·³ÒÌý548 | African-American Literature | 3 |
| ·¡±·³ÒÌý549 | Modern African Literature | 3 |
| ·¡±·³ÒÌý550 | British Romantic Period | 3 |
| ·¡±·³ÒÌý551 | Chaucer | 3 |
| ·¡±·³ÒÌý554 | Contemporary Rhetorical Theory | 3 |
| ·¡±·³ÒÌý555 | American Romantic Period | 3 |
| ·¡±·³ÒÌý558 | Studies In Shakespeare | 3 |
| ·¡±·³ÒÌý560 | British Victorian Period | 3 |
| ·¡±·³ÒÌý561 | Milton | 3 |
| ·¡±·³ÒÌý562 | 18TH-Century English Literature | 3 |
| ·¡±·³ÒÌý563 | 18TH-Century English Novel | 3 |
| ·¡±·³ÒÌý564 | Victorian Novel | 3 |
| ·¡±·³ÒÌý565 | American Realism and Naturalism | 3 |
| ·¡±·³ÒÌý570 | 20TH-Century British Prose | 3 |
| ·¡±·³ÒÌý571 | 20TH-Century British Poetry | 3 |
| ·¡±·³ÒÌý572 | Modern British Drama | 3 |
| ·¡±·³ÒÌý573 | Modern American Drama | 3 |
| ·¡±·³ÒÌý575 | Southern Writers | 3 |
| ·¡±·³ÒÌý576 | 20TH-Century American Poetry | 3 |
| ·¡±·³ÒÌý577 | 20th-Century American Prose | 3 |
| ·¡±·³ÒÌý578 | English Drama To 1642 | 3 |
| ·¡±·³ÒÌý579 | Restoration and 18th-Century Drama | 3 |
| ·¡±·³ÒÌý580 | Literary Postmodernism | 3 |
| ·¡±·³ÒÌý581 | Visual Rhetoric: Theory and Criticism | 3 |
| ·¡±·³ÒÌý582 | Studies in Literature | 3 |
| ·¡±·³ÒÌý583 | Studies In Rhetoric and Writing | 3 |
| ·¡±·³ÒÌý584 | Studies In Linguistics | 3 |
| ·¡±·³ÒÌý585 | Studies In Film | 3 |
| ·¡±·³ÒÌý586 | Studies In Theory | 3 |
| ·¡±·³ÒÌý587 | Interdisciplinary Studies in English | 3 |
| ·¡±·³ÒÌý588 | Fiction Writing Workshop | 3 |
| ·¡±·³ÒÌý589 | Poetry Writing Workshop | 3 |
| ·¡±·³ÒÌý590 | Studies In Creative Writing | 3 |
| ·¡±·³ÒÌý591 | Studies in National Cinemas | 3 |
| ·¡±·³ÒÌý592 | Special Topics in Film Styles and Genres | 1-6 |
| ¹ó³¢Ìý406 | Modernism | 3 |
| ¹ó³¢Ìý407 | Postmodernism | 3 |
| ¹ó³¢Ìý539 | Seminar In World Literature | 3 |
| ³§°Õ³§Ìý438 | Responsible Artificial Intelligence and Society | 3 |
| °Â³Ò³§Ìý410 | Studies in Gender and Genre | 3 |
300 Level Courses (or above)
| Code | Title | Hours |
|---|---|---|
| ´¡¹ó³§Ìý349 | African Literature in English | 3 |
| ´¡¹ó³§Ìý375 | African American Cinema | 3 |
| ´¡¹ó³§Ìý448 | African-American Literature | 3 |
| ´¡¹ó³§Ìý548 | African-American Literature | 3 |
| °ä°¿²ÑÌý321 | Survey of Rhetorical Theory | 3 |
| °ä°¿²ÑÌý364 | History of Film to 1940 | 3 |
| °ä°¿²ÑÌý374 | History of Film From 1940 | 3 |
| °ä°¿²ÑÌý395 | Studies in Rhetoric and Digital Media | 3 |
| °ä°¿²ÑÌý411 | Rhetorical Criticism | 3 |
| °ä°¿²ÑÌý506 | Verbal Data Analysis | 3 |
| °ä°¿²ÑÌý514 | History Of Rhetoric | 3 |
| °ä°¿²ÑÌý516 | Rhetorical Criticism: Theory and Practice | 3 |
| °ä°¿²ÑÌý554 | Contemporary Rhetorical Theory | 3 |
| °ä°¿²ÑÌý581 | Visual Rhetoric: Theory and Criticism | 3 |
| ·¡°ä±õÌý405 | Teaching Literature for Adolescents | 3 |
| ·¡±·³ÒÌý300 | Critical Approaches to Literature | 3 |
| ·¡±·³ÒÌý305 | Women and Literature | 3 |
| ·¡±·³ÒÌý306 | Contemporary Issues in Ecofeminism | 3 |
| ·¡±·³ÒÌý308 | Contemporary Issues in Ecofeminism | 3 |
| ·¡±·³ÒÌý314 | Technical Document Design and Editing | 3 |
| ·¡±·³ÒÌý315 | Phonetics | 3 |
| ·¡±·³ÒÌý316 | Introduction to News and Article Writing | 3 |
| ·¡±·³ÒÌý317 | Designing Networked Communications | 3 |
| ·¡±·³ÒÌý320 | Anatomy and Physiology of Speech and Hearing | 3 |
| ·¡±·³ÒÌý321 | Survey of Rhetorical Theory | 3 |
| ·¡±·³ÒÌý323 | Writing in Rhetorical Traditions | 3 |
| ·¡±·³ÒÌý324 | Modern English Syntax | 3 |
| ·¡±·³ÒÌý325 | Spoken and Written Traditions of American English Dialects | 3 |
| ·¡±·³ÒÌý326 | History of the English Language | 3 |
| ·¡±·³ÒÌý327 | Language and Gender | 3 |
| ·¡±·³ÒÌý328 | Linguistics for Education Professionals | 3 |
| ·¡±·³ÒÌý329 | Language in Globalization | 3 |
| ·¡±·³ÒÌý330 | Screenwriting | 3 |
| ·¡±·³ÒÌý331 | Communication for Engineering and Technology | 3 |
| ·¡±·³ÒÌý332 | Communication for Business and Management | 3 |
| ·¡±·³ÒÌý333 | Communication for Science and Research | 3 |
| ·¡±·³ÒÌý335 | Language Development | 3 |
| ·¡±·³ÒÌý338 | Speech Science | 3 |
| ·¡±·³ÒÌý339 | Literature and Technology | 3 |
| ·¡±·³ÒÌý340 | Literature, Art, and Society | 3 |
| ·¡±·³ÒÌý341 | Literature and Science | 3 |
| ·¡±·³ÒÌý342 | Literature of Space and Place | 3 |
| ·¡±·³ÒÌý349 | African Literature in English | 3 |
| ·¡±·³ÒÌý350 | Professional Internships | 3 |
| ·¡±·³ÒÌý359 | Topics in Film Studies | 3 |
| ·¡±·³ÒÌý361 | Studies in British Poetry | 3 |
| ·¡±·³ÒÌý362 | Studies in the British Novel | 3 |
| ·¡±·³ÒÌý364 | History of Film to 1940 | 3 |
| ·¡±·³ÒÌý369 | The American Novel of the 19th Century | 3 |
| ·¡±·³ÒÌý370 | American Fiction, Twentieth Century and Beyond | 3 |
| ·¡±·³ÒÌý372 | American Poetry, Twentieth Century and Beyond | 3 |
| ·¡±·³ÒÌý374 | History of Film From 1940 | 3 |
| ·¡±·³ÒÌý375 | African American Cinema | 3 |
| ·¡±·³ÒÌý376 | Science Fiction | 3 |
| ·¡±·³ÒÌý377 | Fantasy | 3 |
| ·¡±·³ÒÌý378 | Women & Film | 3 |
| ·¡±·³ÒÌý380 | Modern Drama | 3 |
| ·¡±·³ÒÌý381 | Creative Nonfiction Writing Workshop | 3 |
| ·¡±·³ÒÌý382 | Film and Literature | 3 |
| ·¡±·³ÒÌý384 | Introduction to Film Theory | 3 |
| ·¡±·³ÒÌý385 | Biblical Backgrounds of English Literature | 3 |
| ·¡±·³ÒÌý388 | Intermediate Fiction Writing Workshop | 3 |
| ·¡±·³ÒÌý389 | Intermediate Poetry Writing Workshop | 3 |
| ·¡±·³ÒÌý390 | Classical Backgrounds of English Literature | 3 |
| ·¡±·³ÒÌý391 | Special Topics in Modern Drama | 3 |
| ·¡±·³ÒÌý392 | Major World Author | 3 |
| ·¡±·³ÒÌý393 | Studies in Literary Genre | 3 |
| ·¡±·³ÒÌý394 | Studies in World Literature | 3 |
| ·¡±·³ÒÌý395 | Studies in Rhetoric and Digital Media | 3 |
| ·¡±·³ÒÌý399 | Contemporary Literature | 3 |
| ·¡±·³ÒÌý400 | Applied Criticism | 3 |
| ·¡±·³ÒÌý402 | Literature for Adolescents | 3 |
| ·¡±·³ÒÌý405 | Teaching Literature for Adolescents | 3 |
| ·¡±·³ÒÌý406 | Modernism | 3 |
| ·¡±·³ÒÌý407 | Postmodernism | 3 |
| ·¡±·³ÒÌý410 | Studies in Gender and Genre | 3 |
| ·¡±·³ÒÌý411 | Rhetorical Criticism | 3 |
| ·¡±·³ÒÌý416 | Advanced News and Article Writing | 3 |
| ·¡±·³ÒÌý417 | Editorial and Opinion Writing | 3 |
| ·¡±·³ÒÌý420 | Major American Authors | 3 |
| ·¡±·³ÒÌý421 | Computer Documentation Design | 3 |
| ·¡±·³ÒÌý422 | Writing Theory and the Writing Process | 3 |
| ·¡±·³ÒÌý425 | Analysis of Scientific and Technical Writing | 3 |
| ·¡±·³ÒÌý426 | Analyzing Style | 3 |
| ·¡±·³ÒÌý430 | Advanced Screenwriting | 3 |
| ·¡±·³ÒÌý438 | Responsible Artificial Intelligence and Society | 3 |
| ·¡±·³ÒÌý439 | Studies in English Renaissance Literature | 3 |
| ·¡±·³ÒÌý448 | African-American Literature | 3 |
| ·¡±·³ÒÌý451 | Chaucer | 3 |
| ·¡±·³ÒÌý452 | Medieval British Literature | 3 |
| ·¡±·³ÒÌý453 | Studies in Nineteenth-Century British Literature | 3 |
| ·¡±·³ÒÌý455 | Literacy in the U.S. | 3 |
| ·¡±·³ÒÌý460 | Major British Author | 3 |
| ·¡±·³ÒÌý462 | 18th-Century English Literature | 3 |
| ·¡±·³ÒÌý463 | The Victorian Period | 3 |
| ·¡±·³ÒÌý464 | British Literature and the Founding of Empire | 3 |
| ·¡±·³ÒÌý465 | British Literature and the Dissolution of Empire | 3 |
| ·¡±·³ÒÌý466 | Transatlantic Literatures | 3 |
| ·¡±·³ÒÌý467 | American Colonial Literature | 3 |
| ·¡±·³ÒÌý468 | Studies in Nineteenth-Century American Literature | 3 |
| ·¡±·³ÒÌý470 | American Literature, Twentieth Century and Beyond | 3 |
| ·¡±·³ÒÌý476 | Southern Literature | 3 |
| ·¡±·³ÒÌý480 | Modern Drama | 3 |
| ·¡±·³ÒÌý481 | History of the Book | 3 |
| ·¡±·³ÒÌý482 | Reading in the Digital Age | 3 |
| ·¡±·³ÒÌý483 | Literature and Media | 3 |
| ·¡±·³ÒÌý485 | Shakespeare: Revisions and Resources | 3 |
| ·¡±·³ÒÌý486 | Shakespeare, The Earlier Plays | 3 |
| ·¡±·³ÒÌý487 | Shakespeare, The Later Plays | 3 |
| ·¡±·³ÒÌý488 | Advanced Fiction Writing Workshop | 3 |
| ·¡±·³ÒÌý489 | Advanced Poetry Writing Workshop | 3 |
| ·¡±·³ÒÌý490 | Studies in Medieval Literature | 3 |
| ·¡±·³ÒÌý491 | Honors in English | 3 |
| ·¡±·³ÒÌý492 | Special Topics in Film and Media Studies | 3 |
| ·¡±·³ÒÌý494 | Special Topics in Linguistics | 3 |
| ·¡±·³ÒÌý495 | Studies in Literature | 3 |
| ·¡±·³ÒÌý496 | Seminar in Literary Criticism | 3 |
| ·¡±·³ÒÌý498 | Special Topics in English | 1-6 |
| ·¡±·³ÒÌý499 | Special Topics in Creative Writing | 3 |
| ·¡±·³ÒÌý505 | Writing Program Administration: Theory, Practice, and Research | 3 |
| ·¡±·³ÒÌý506 | Verbal Data Analysis | 3 |
| ·¡±·³ÒÌý507 | Writing for Health and Environmental Sciences | 3 |
| ·¡±·³ÒÌý508 | Usability Studies for Technical Communication | 3 |
| ·¡±·³ÒÌý509 | Old English Literature | 3 |
| ·¡±·³ÒÌý510 | Middle English Literature | 3 |
| ·¡±·³ÒÌý511 | Theory and Research In Composition | 3 |
| ·¡±·³ÒÌý512 | Theory and Research In Professional Writing | 3 |
| ·¡±·³ÒÌý513 | Empirical Research In Composition | 3 |
| ·¡±·³ÒÌý514 | History Of Rhetoric | 3 |
| ·¡±·³ÒÌý515 | Rhetoric Of Science and Technology | 3 |
| ·¡±·³ÒÌý516 | Rhetorical Criticism: Theory and Practice | 3 |
| ·¡±·³ÒÌý517 | Advanced Technical Writing, Editing and Document Design | 3 |
| ·¡±·³ÒÌý518 | Publication Management for Technical Communicators | 3 |
| ·¡±·³ÒÌý519 | Online Information Design and Evaluation | 3 |
| ·¡±·³ÒÌý520 | Science Writing for the Media | 3 |
| ·¡±·³ÒÌý522 | Writing in Nonacademic Settings | 3 |
| ·¡±·³ÒÌý523 | Language Variation Research Seminar | 3 |
| ·¡±·³ÒÌý524 | Introduction to Linguistics | 3 |
| ·¡±·³ÒÌý525 | Variety In Language | 3 |
| ·¡±·³ÒÌý527 | Discourse Analysis | 3 |
| ·¡±·³ÒÌý528 | Sociophonetics | 3 |
| ·¡±·³ÒÌý529 | 16th-Century Non-Dramatic English Literature | 3 |
| ·¡±·³ÒÌý530 | 17th-Century English Literature | 3 |
| ·¡±·³ÒÌý531 | American Colonial Literature | 3 |
| ·¡±·³ÒÌý532 | Narrative Analysis | 3 |
| ·¡±·³ÒÌý533 | Bilingualism and Language Contact | 3 |
| ·¡±·³ÒÌý534 | Quantitative Analysis in Sociolinguistics | 3 |
| ·¡±·³ÒÌý536 | Research Methods in Phonology | 3 |
| ·¡±·³ÒÌý539 | Seminar In World Literature | 3 |
| ·¡±·³ÒÌý540 | History Of Literary Criticism | 3 |
| ·¡±·³ÒÌý541 | Literary and Cultural Theory | 3 |
| ·¡±·³ÒÌý543 | Introduction to Digital Humanities | 3 |
| ·¡±·³ÒÌý548 | African-American Literature | 3 |
| ·¡±·³ÒÌý549 | Modern African Literature | 3 |
| ·¡±·³ÒÌý550 | British Romantic Period | 3 |
| ·¡±·³ÒÌý551 | Chaucer | 3 |
| ·¡±·³ÒÌý554 | Contemporary Rhetorical Theory | 3 |
| ·¡±·³ÒÌý555 | American Romantic Period | 3 |
| ·¡±·³ÒÌý558 | Studies In Shakespeare | 3 |
| ·¡±·³ÒÌý560 | British Victorian Period | 3 |
| ·¡±·³ÒÌý561 | Milton | 3 |
| ·¡±·³ÒÌý562 | 18TH-Century English Literature | 3 |
| ·¡±·³ÒÌý563 | 18TH-Century English Novel | 3 |
| ·¡±·³ÒÌý564 | Victorian Novel | 3 |
| ·¡±·³ÒÌý565 | American Realism and Naturalism | 3 |
| ·¡±·³ÒÌý570 | 20TH-Century British Prose | 3 |
| ·¡±·³ÒÌý571 | 20TH-Century British Poetry | 3 |
| ·¡±·³ÒÌý572 | Modern British Drama | 3 |
| ·¡±·³ÒÌý573 | Modern American Drama | 3 |
| ·¡±·³ÒÌý575 | Southern Writers | 3 |
| ·¡±·³ÒÌý576 | 20TH-Century American Poetry | 3 |
| ·¡±·³ÒÌý577 | 20th-Century American Prose | 3 |
| ·¡±·³ÒÌý578 | English Drama To 1642 | 3 |
| ·¡±·³ÒÌý579 | Restoration and 18th-Century Drama | 3 |
| ·¡±·³ÒÌý580 | Literary Postmodernism | 3 |
| ·¡±·³ÒÌý581 | Visual Rhetoric: Theory and Criticism | 3 |
| ·¡±·³ÒÌý582 | Studies in Literature | 3 |
| ·¡±·³ÒÌý583 | Studies In Rhetoric and Writing | 3 |
| ·¡±·³ÒÌý584 | Studies In Linguistics | 3 |
| ·¡±·³ÒÌý585 | Studies In Film | 3 |
| ·¡±·³ÒÌý586 | Studies In Theory | 3 |
| ·¡±·³ÒÌý587 | Interdisciplinary Studies in English | 3 |
| ·¡±·³ÒÌý588 | Fiction Writing Workshop | 3 |
| ·¡±·³ÒÌý589 | Poetry Writing Workshop | 3 |
| ·¡±·³ÒÌý590 | Studies In Creative Writing | 3 |
| ·¡±·³ÒÌý591 | Studies in National Cinemas | 3 |
| ·¡±·³ÒÌý592 | Special Topics in Film Styles and Genres | 1-6 |
| ¹ó³¢Ìý392 | Major World Author | 3 |
| ¹ó³¢Ìý393 | Studies in Literary Genre | 3 |
| ¹ó³¢Ìý394 | Studies in World Literature | 3 |
| ¹ó³¢Ìý406 | Modernism | 3 |
| ¹ó³¢Ìý407 | Postmodernism | 3 |
| ¹ó³¢Ìý539 | Seminar In World Literature | 3 |
| ³§°Õ³§Ìý438 | Responsible Artificial Intelligence and Society | 3 |
| °Â³Ò³§Ìý305 | Women and Literature | 3 |
| °Â³Ò³§Ìý308 | Contemporary Issues in Ecofeminism | 3 |
| °Â³Ò³§Ìý327 | Language and Gender | 3 |
| °Â³Ò³§Ìý410 | Studies in Gender and Genre | 3 |
200 Level Courses (or above)
| Code | Title | Hours |
|---|---|---|
| ´¡¹ó³§Ìý248 | Survey of African-American Literature | 3 |
| ´¡¹ó³§Ìý349 | African Literature in English | 3 |
| ´¡¹ó³§Ìý375 | African American Cinema | 3 |
| ´¡¹ó³§Ìý448 | African-American Literature | 3 |
| ´¡¹ó³§Ìý548 | African-American Literature | 3 |
| °ä°¿²ÑÌý321 | Survey of Rhetorical Theory | 3 |
| °ä°¿²ÑÌý364 | History of Film to 1940 | 3 |
| °ä°¿²ÑÌý374 | History of Film From 1940 | 3 |
| °ä°¿²ÑÌý395 | Studies in Rhetoric and Digital Media | 3 |
| °ä°¿²ÑÌý411 | Rhetorical Criticism | 3 |
| °ä°¿²ÑÌý506 | Verbal Data Analysis | 3 |
| °ä°¿²ÑÌý514 | History Of Rhetoric | 3 |
| °ä°¿²ÑÌý516 | Rhetorical Criticism: Theory and Practice | 3 |
| °ä°¿²ÑÌý554 | Contemporary Rhetorical Theory | 3 |
| °ä°¿²ÑÌý581 | Visual Rhetoric: Theory and Criticism | 3 |
| ·¡°ä±õÌý405 | Teaching Literature for Adolescents | 3 |
| ·¡±·³ÒÌý202 | Disciplinary Perspectives in Writing | 3 |
| ·¡±·³ÒÌý206 | Studies In Drama | 3 |
| ·¡±·³ÒÌý207 | Studies in Poetry | 3 |
| ·¡±·³ÒÌý208 | Studies In Fiction | 3 |
| ·¡±·³ÒÌý209 | Introduction to Shakespeare | 3 |
| ·¡±·³ÒÌý210 | Introduction to Language and Linguistics | 3 |
| ·¡±·³ÒÌý214 | Introduction to Editing | 3 |
| ·¡±·³ÒÌý216 | Technologies for Texts | 3 |
| ·¡±·³ÒÌý219 | Studies in Great Works of Non-Western Literature | 3 |
| ·¡±·³ÒÌý220 | Studies in Great Works of Western Literature | 3 |
| ·¡±·³ÒÌý221 | Literature of the Western World I | 3 |
| ·¡±·³ÒÌý222 | Literature of the Western World II | 3 |
| ·¡±·³ÒÌý223 | Contemporary World Literature I | 3 |
| ·¡±·³ÒÌý224 | Contemporary World Literature II | 3 |
| ·¡±·³ÒÌý232 | Literature and Medicine | 3 |
| ·¡±·³ÒÌý246 | Literature of the Holocaust | 3 |
| ·¡±·³ÒÌý248 | Survey of African-American Literature | 3 |
| ·¡±·³ÒÌý249 | Native American Literature | 3 |
| ·¡±·³ÒÌý251 | Major British Writers | 3 |
| ·¡±·³ÒÌý252 | Major American Writers | 3 |
| ·¡±·³ÒÌý255 | Beyond Britain: Literature from Colonies of the British Empire | 3 |
| ·¡±·³ÒÌý260 | Reading Literature and Exploring Textuality | 3 |
| ·¡±·³ÒÌý261 | English Literature I | 3 |
| ·¡±·³ÒÌý262 | English Literature II | 3 |
| ·¡±·³ÒÌý265 | American Literature I | 3 |
| ·¡±·³ÒÌý266 | American Literature II | 3 |
| ·¡±·³ÒÌý267 | LGBTQI Literature in the U.S. | 3 |
| ·¡±·³ÒÌý275 | Literature and War | 3 |
| ·¡±·³ÒÌý281 | Introduction to Creative Nonfiction | 3 |
| ·¡±·³ÒÌý282 | Introduction to Film | 3 |
| ·¡±·³ÒÌý287 | Explorations in Creative Writing | 3 |
| ·¡±·³ÒÌý288 | Fiction Writing | 3 |
| ·¡±·³ÒÌý289 | Poetry Writing | 3 |
| ·¡±·³ÒÌý292 | Writing About Film | 3 |
| ·¡±·³ÒÌý298 | Special Projects in English | 1-3 |
| ·¡±·³ÒÌý300 | Critical Approaches to Literature | 3 |
| ·¡±·³ÒÌý305 | Women and Literature | 3 |
| ·¡±·³ÒÌý306 | Contemporary Issues in Ecofeminism | 3 |
| ·¡±·³ÒÌý308 | Contemporary Issues in Ecofeminism | 3 |
| ·¡±·³ÒÌý314 | Technical Document Design and Editing | 3 |
| ·¡±·³ÒÌý315 | Phonetics | 3 |
| ·¡±·³ÒÌý316 | Introduction to News and Article Writing | 3 |
| ·¡±·³ÒÌý317 | Designing Networked Communications | 3 |
| ·¡±·³ÒÌý320 | Anatomy and Physiology of Speech and Hearing | 3 |
| ·¡±·³ÒÌý321 | Survey of Rhetorical Theory | 3 |
| ·¡±·³ÒÌý323 | Writing in Rhetorical Traditions | 3 |
| ·¡±·³ÒÌý324 | Modern English Syntax | 3 |
| ·¡±·³ÒÌý325 | Spoken and Written Traditions of American English Dialects | 3 |
| ·¡±·³ÒÌý326 | History of the English Language | 3 |
| ·¡±·³ÒÌý327 | Language and Gender | 3 |
| ·¡±·³ÒÌý328 | Linguistics for Education Professionals | 3 |
| ·¡±·³ÒÌý329 | Language in Globalization | 3 |
| ·¡±·³ÒÌý330 | Screenwriting | 3 |
| ·¡±·³ÒÌý331 | Communication for Engineering and Technology | 3 |
| ·¡±·³ÒÌý332 | Communication for Business and Management | 3 |
| ·¡±·³ÒÌý333 | Communication for Science and Research | 3 |
| ·¡±·³ÒÌý335 | Language Development | 3 |
| ·¡±·³ÒÌý338 | Speech Science | 3 |
| ·¡±·³ÒÌý339 | Literature and Technology | 3 |
| ·¡±·³ÒÌý340 | Literature, Art, and Society | 3 |
| ·¡±·³ÒÌý341 | Literature and Science | 3 |
| ·¡±·³ÒÌý342 | Literature of Space and Place | 3 |
| ·¡±·³ÒÌý349 | African Literature in English | 3 |
| ·¡±·³ÒÌý350 | Professional Internships | 3 |
| ·¡±·³ÒÌý359 | Topics in Film Studies | 3 |
| ·¡±·³ÒÌý361 | Studies in British Poetry | 3 |
| ·¡±·³ÒÌý362 | Studies in the British Novel | 3 |
| ·¡±·³ÒÌý364 | History of Film to 1940 | 3 |
| ·¡±·³ÒÌý369 | The American Novel of the 19th Century | 3 |
| ·¡±·³ÒÌý370 | American Fiction, Twentieth Century and Beyond | 3 |
| ·¡±·³ÒÌý372 | American Poetry, Twentieth Century and Beyond | 3 |
| ·¡±·³ÒÌý374 | History of Film From 1940 | 3 |
| ·¡±·³ÒÌý375 | African American Cinema | 3 |
| ·¡±·³ÒÌý376 | Science Fiction | 3 |
| ·¡±·³ÒÌý377 | Fantasy | 3 |
| ·¡±·³ÒÌý378 | Women & Film | 3 |
| ·¡±·³ÒÌý380 | Modern Drama | 3 |
| ·¡±·³ÒÌý381 | Creative Nonfiction Writing Workshop | 3 |
| ·¡±·³ÒÌý382 | Film and Literature | 3 |
| ·¡±·³ÒÌý384 | Introduction to Film Theory | 3 |
| ·¡±·³ÒÌý385 | Biblical Backgrounds of English Literature | 3 |
| ·¡±·³ÒÌý388 | Intermediate Fiction Writing Workshop | 3 |
| ·¡±·³ÒÌý389 | Intermediate Poetry Writing Workshop | 3 |
| ·¡±·³ÒÌý390 | Classical Backgrounds of English Literature | 3 |
| ·¡±·³ÒÌý391 | Special Topics in Modern Drama | 3 |
| ·¡±·³ÒÌý392 | Major World Author | 3 |
| ·¡±·³ÒÌý393 | Studies in Literary Genre | 3 |
| ·¡±·³ÒÌý394 | Studies in World Literature | 3 |
| ·¡±·³ÒÌý395 | Studies in Rhetoric and Digital Media | 3 |
| ·¡±·³ÒÌý399 | Contemporary Literature | 3 |
| ·¡±·³ÒÌý400 | Applied Criticism | 3 |
| ·¡±·³ÒÌý402 | Literature for Adolescents | 3 |
| ·¡±·³ÒÌý405 | Teaching Literature for Adolescents | 3 |
| ·¡±·³ÒÌý406 | Modernism | 3 |
| ·¡±·³ÒÌý407 | Postmodernism | 3 |
| ·¡±·³ÒÌý410 | Studies in Gender and Genre | 3 |
| ·¡±·³ÒÌý411 | Rhetorical Criticism | 3 |
| ·¡±·³ÒÌý416 | Advanced News and Article Writing | 3 |
| ·¡±·³ÒÌý417 | Editorial and Opinion Writing | 3 |
| ·¡±·³ÒÌý420 | Major American Authors | 3 |
| ·¡±·³ÒÌý421 | Computer Documentation Design | 3 |
| ·¡±·³ÒÌý422 | Writing Theory and the Writing Process | 3 |
| ·¡±·³ÒÌý425 | Analysis of Scientific and Technical Writing | 3 |
| ·¡±·³ÒÌý426 | Analyzing Style | 3 |
| ·¡±·³ÒÌý430 | Advanced Screenwriting | 3 |
| ·¡±·³ÒÌý438 | Responsible Artificial Intelligence and Society | 3 |
| ·¡±·³ÒÌý439 | Studies in English Renaissance Literature | 3 |
| ·¡±·³ÒÌý448 | African-American Literature | 3 |
| ·¡±·³ÒÌý451 | Chaucer | 3 |
| ·¡±·³ÒÌý452 | Medieval British Literature | 3 |
| ·¡±·³ÒÌý453 | Studies in Nineteenth-Century British Literature | 3 |
| ·¡±·³ÒÌý455 | Literacy in the U.S. | 3 |
| ·¡±·³ÒÌý460 | Major British Author | 3 |
| ·¡±·³ÒÌý462 | 18th-Century English Literature | 3 |
| ·¡±·³ÒÌý463 | The Victorian Period | 3 |
| ·¡±·³ÒÌý464 | British Literature and the Founding of Empire | 3 |
| ·¡±·³ÒÌý465 | British Literature and the Dissolution of Empire | 3 |
| ·¡±·³ÒÌý466 | Transatlantic Literatures | 3 |
| ·¡±·³ÒÌý467 | American Colonial Literature | 3 |
| ·¡±·³ÒÌý468 | Studies in Nineteenth-Century American Literature | 3 |
| ·¡±·³ÒÌý470 | American Literature, Twentieth Century and Beyond | 3 |
| ·¡±·³ÒÌý476 | Southern Literature | 3 |
| ·¡±·³ÒÌý480 | Modern Drama | 3 |
| ·¡±·³ÒÌý481 | History of the Book | 3 |
| ·¡±·³ÒÌý482 | Reading in the Digital Age | 3 |
| ·¡±·³ÒÌý483 | Literature and Media | 3 |
| ·¡±·³ÒÌý485 | Shakespeare: Revisions and Resources | 3 |
| ·¡±·³ÒÌý486 | Shakespeare, The Earlier Plays | 3 |
| ·¡±·³ÒÌý487 | Shakespeare, The Later Plays | 3 |
| ·¡±·³ÒÌý488 | Advanced Fiction Writing Workshop | 3 |
| ·¡±·³ÒÌý489 | Advanced Poetry Writing Workshop | 3 |
| ·¡±·³ÒÌý490 | Studies in Medieval Literature | 3 |
| ·¡±·³ÒÌý491 | Honors in English | 3 |
| ·¡±·³ÒÌý492 | Special Topics in Film and Media Studies | 3 |
| ·¡±·³ÒÌý494 | Special Topics in Linguistics | 3 |
| ·¡±·³ÒÌý495 | Studies in Literature | 3 |
| ·¡±·³ÒÌý496 | Seminar in Literary Criticism | 3 |
| ·¡±·³ÒÌý498 | Special Topics in English | 1-6 |
| ·¡±·³ÒÌý499 | Special Topics in Creative Writing | 3 |
| ·¡±·³ÒÌý505 | Writing Program Administration: Theory, Practice, and Research | 3 |
| ·¡±·³ÒÌý506 | Verbal Data Analysis | 3 |
| ·¡±·³ÒÌý507 | Writing for Health and Environmental Sciences | 3 |
| ·¡±·³ÒÌý508 | Usability Studies for Technical Communication | 3 |
| ·¡±·³ÒÌý509 | Old English Literature | 3 |
| ·¡±·³ÒÌý510 | Middle English Literature | 3 |
| ·¡±·³ÒÌý511 | Theory and Research In Composition | 3 |
| ·¡±·³ÒÌý512 | Theory and Research In Professional Writing | 3 |
| ·¡±·³ÒÌý513 | Empirical Research In Composition | 3 |
| ·¡±·³ÒÌý514 | History Of Rhetoric | 3 |
| ·¡±·³ÒÌý515 | Rhetoric Of Science and Technology | 3 |
| ·¡±·³ÒÌý516 | Rhetorical Criticism: Theory and Practice | 3 |
| ·¡±·³ÒÌý517 | Advanced Technical Writing, Editing and Document Design | 3 |
| ·¡±·³ÒÌý518 | Publication Management for Technical Communicators | 3 |
| ·¡±·³ÒÌý519 | Online Information Design and Evaluation | 3 |
| ·¡±·³ÒÌý520 | Science Writing for the Media | 3 |
| ·¡±·³ÒÌý522 | Writing in Nonacademic Settings | 3 |
| ·¡±·³ÒÌý523 | Language Variation Research Seminar | 3 |
| ·¡±·³ÒÌý524 | Introduction to Linguistics | 3 |
| ·¡±·³ÒÌý525 | Variety In Language | 3 |
| ·¡±·³ÒÌý527 | Discourse Analysis | 3 |
| ·¡±·³ÒÌý528 | Sociophonetics | 3 |
| ·¡±·³ÒÌý529 | 16th-Century Non-Dramatic English Literature | 3 |
| ·¡±·³ÒÌý530 | 17th-Century English Literature | 3 |
| ·¡±·³ÒÌý531 | American Colonial Literature | 3 |
| ·¡±·³ÒÌý532 | Narrative Analysis | 3 |
| ·¡±·³ÒÌý533 | Bilingualism and Language Contact | 3 |
| ·¡±·³ÒÌý534 | Quantitative Analysis in Sociolinguistics | 3 |
| ·¡±·³ÒÌý536 | Research Methods in Phonology | 3 |
| ·¡±·³ÒÌý539 | Seminar In World Literature | 3 |
| ·¡±·³ÒÌý540 | History Of Literary Criticism | 3 |
| ·¡±·³ÒÌý541 | Literary and Cultural Theory | 3 |
| ·¡±·³ÒÌý543 | Introduction to Digital Humanities | 3 |
| ·¡±·³ÒÌý548 | African-American Literature | 3 |
| ·¡±·³ÒÌý549 | Modern African Literature | 3 |
| ·¡±·³ÒÌý550 | British Romantic Period | 3 |
| ·¡±·³ÒÌý551 | Chaucer | 3 |
| ·¡±·³ÒÌý554 | Contemporary Rhetorical Theory | 3 |
| ·¡±·³ÒÌý555 | American Romantic Period | 3 |
| ·¡±·³ÒÌý558 | Studies In Shakespeare | 3 |
| ·¡±·³ÒÌý560 | British Victorian Period | 3 |
| ·¡±·³ÒÌý561 | Milton | 3 |
| ·¡±·³ÒÌý562 | 18TH-Century English Literature | 3 |
| ·¡±·³ÒÌý563 | 18TH-Century English Novel | 3 |
| ·¡±·³ÒÌý564 | Victorian Novel | 3 |
| ·¡±·³ÒÌý565 | American Realism and Naturalism | 3 |
| ·¡±·³ÒÌý570 | 20TH-Century British Prose | 3 |
| ·¡±·³ÒÌý571 | 20TH-Century British Poetry | 3 |
| ·¡±·³ÒÌý572 | Modern British Drama | 3 |
| ·¡±·³ÒÌý573 | Modern American Drama | 3 |
| ·¡±·³ÒÌý575 | Southern Writers | 3 |
| ·¡±·³ÒÌý576 | 20TH-Century American Poetry | 3 |
| ·¡±·³ÒÌý577 | 20th-Century American Prose | 3 |
| ·¡±·³ÒÌý578 | English Drama To 1642 | 3 |
| ·¡±·³ÒÌý579 | Restoration and 18th-Century Drama | 3 |
| ·¡±·³ÒÌý580 | Literary Postmodernism | 3 |
| ·¡±·³ÒÌý581 | Visual Rhetoric: Theory and Criticism | 3 |
| ·¡±·³ÒÌý582 | Studies in Literature | 3 |
| ·¡±·³ÒÌý583 | Studies In Rhetoric and Writing | 3 |
| ·¡±·³ÒÌý584 | Studies In Linguistics | 3 |
| ·¡±·³ÒÌý585 | Studies In Film | 3 |
| ·¡±·³ÒÌý586 | Studies In Theory | 3 |
| ·¡±·³ÒÌý587 | Interdisciplinary Studies in English | 3 |
| ·¡±·³ÒÌý588 | Fiction Writing Workshop | 3 |
| ·¡±·³ÒÌý589 | Poetry Writing Workshop | 3 |
| ·¡±·³ÒÌý590 | Studies In Creative Writing | 3 |
| ·¡±·³ÒÌý591 | Studies in National Cinemas | 3 |
| ·¡±·³ÒÌý592 | Special Topics in Film Styles and Genres | 1-6 |
| ¹ó³¢Ìý219 | Studies in Great Works of Non-Western Literature | 3 |
| ¹ó³¢Ìý220 | Studies in Great Works of Western Literature | 3 |
| ¹ó³¢Ìý221 | Literature of the Western World I | 3 |
| ¹ó³¢Ìý222 | Literature of the Western World II | 3 |
| ¹ó³¢Ìý223 | Contemporary World Literature I | 3 |
| ¹ó³¢Ìý224 | Contemporary World Literature II | 3 |
| ¹ó³¢Ìý246 | Literature of the Holocaust | 3 |
| ¹ó³¢Ìý275 | Literature and War | 3 |
| ¹ó³¢Ìý392 | Major World Author | 3 |
| ¹ó³¢Ìý393 | Studies in Literary Genre | 3 |
| ¹ó³¢Ìý394 | Studies in World Literature | 3 |
| ¹ó³¢Ìý406 | Modernism | 3 |
| ¹ó³¢Ìý407 | Postmodernism | 3 |
| ¹ó³¢Ìý539 | Seminar In World Literature | 3 |
| ³§°Õ³§Ìý438 | Responsible Artificial Intelligence and Society | 3 |
| °Â³Ò³§Ìý305 | Women and Literature | 3 |
| °Â³Ò³§Ìý308 | Contemporary Issues in Ecofeminism | 3 |
| °Â³Ò³§Ìý327 | Language and Gender | 3 |
| °Â³Ò³§Ìý410 | Studies in Gender and Genre | 3 |